Artnetdirectory Logo

artists and demonstrators
Frank Gordon

Home
Artists Search
General Search
Registration

Frank Gordon - Artist & Demonstrator
Career I was born in Westhoughton, Lancashire in 1943 and studied at Bolton College of Art from 1958 to 1963 (gaining my National Diploma in Design that year) before entering art teaching, first in Lancashire and then Yorkshire after 'emigrating' across the Pennines in 1972. I continued to paint throughout my teaching career, exhibiting widely in the north of England. During this period I gained an Honours Degree from the Open University, an Advanced Diploma in Art Education from Bretton Hall College and an MA in Art and Design from Leeds Metropolitan University. This was, at least in part, in pursuance of my belief that the practice of making art is a synthesis of related values - emotional, spiritual and intellectual.

Consider what happens when we see a landscape. Is there simply a natural perception of a natural object? Well, no. Our countryside is the complex product of centuries of labour and the way we view it is shaped by a weighty inheritance - think of the Arcadian myth, the Grand Tour, the Romantic poets, ideas of the Picturesque and the Sublime, the English Landscape tradition, the National Parks, etc. For many years I have been exploring ways of dealing with this cultural framing of the landscape. Moving to the Yorkshire Dales a couple of years ago has lent an extra dynamic to this preoccupation. I am currently exploring how my continued preoccupations as an artist might be related to these new surroundings and how they are perceived.

Living in the Dales National Park and on the edge of the Three Peaks country of Ingleborough, Whernside and Penyghent, I have become increasingly fascinated by the grandeur and sweep of this great landscape. I have begun to focus more closely on my experiences when out walking the hills, especially by the dramatic way in which one can be suddenly overtaken and swallowed up by weather, the fleeting nature of sense impressions .... flickering light, glimmers of sun, enveloping mists, the clouds' scurrying shadows, buffeting wind, rainwater on the face. For me the act of painting is a re-creation of that original experience.

Yet there's a feeling of permanence in the solid limestone rocks and the bulk of the hills. Behind the fragmented and often bewildering assaults on one's senses there lies the underlying stability of geology, hard and unyielding. This collision between the eternal and the ephemeral is a good subject for a painter.
Talks - Demonstrations I present a slideshow of 45/60 minutes (as required) with two related themes:

  1. The ways in which my painting has evolved over a lifetime, from being a student at Bolton College of Art to the present. The slides show the development of central concerns in my work, including a step-by-step illustration of the making of one painting. My work is usually oil or acrylic on canvas but I have been exploring a rather different way of working with acrylic on paper recently.



    2. I have a particular interest in our relationship with the English countryside and how this is linked to the development and understanding of landscape painting, discussing the influence of such things as the Grand Tour, the Classical inheritance, landscape gardening, Arcadian myths, the Romantic poets, ideas of the Picturesque and the Sublime, National Parks, the English Landscape Tradition etc.

    A coffee break at this stage is usually a good idea . . .

    I provide a number of my sketchbooks (over 20) which can be passed around and examined - these give a clear indication of my working methods which involve using drawings and photographs on which I often base finished work.. I also bring recent paintings - some unfinished - which I can relate to the preliminary work where appropriate. I talk about this latest work in some detail and, from this, questions naturally arise, usually initiating a general discussion.

    The planning of pictures and the related work necessary before painting starts is one of my themes; it's an often neglected area but is of great importance, especially to those developing greater ambition in their work.

    (I can present a painting demonstration if required - either oils or acrylic on canvas, usually, as negotiated. However, I present this as an optional extra as the foregoing already constitutes a pretty full evening and offers, I think, a more rewarding experience.)

    Workshops can be arranged
Exhibition Venues Include Ainscough Gallery, Liverpool
Artists Show, Leeds City Art Gallery
Cartwright Hall, Bradford
Crescent Arts, Scarborough
Derwent College, University of York
Harding House Gallery, Lincoln
Lawrence Batley Centre Gallery, Bretton Hall
Leeds Art Fair
Linton Court Gallery, Settle
Lotherton Hall, Leeds (solo exhibition)
Manchester Academy of Fine Arts Open Exhibition
Manor House, Ilkley (paired exhibition)
Mid-Pennine Arts Gallery, Burnley
Patchings Art Festival
Sultan Gallery, Lancaster (paired exhibition)
Yorkshire Artists Exhibition, Skipton
My work can also be viewed on my website at
www.frankgordon.co.uk
at the Axis contemporary visual artists database online at
www.axisartists.org.uk/all/ref3371.htm
And at
Look Gallery, Helmsley,
Wallker Galleries, Harrogate
Mediums Oils, Acrylics
Speciality
Landscapes
Fees Negotiable plus travelling at cost - usually £10 locally but prepared to travel anywhere with expenses covered by host society.
Contact
Frank Gordon
Haymeads,
The Mains,
Giggleswick,
Settle,
North Yorkshire,
BD24 0AX
England, UK
E-mail:
Internet: www.frankgordon.co.uk
Telephone:
+44 (0)1729 824638

Home
Artists Search
General Search
Registration